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Affect theory and literary critical practice : a feel for the text (electronic book) / edited by Stephen Ahern

Contributor(s): Series: Palgrave studies in affect theory and literary criticismPublication details: Cham, Swizerland : Palgrave Macmillan, 2019Description: 1 online resource ( xi, 263 pages.)ISBN:
  • 9783319972688
Subject(s): DDC classification:
  • 809.93353/AFF
Online resources:
Contents:
Intro; Acknowledgments; Contents; Notes on Contributors; Chapter 1: Introduction: A Feel for the Text; Part I: Feeling Early Modern; Chapter 2: The Body in Wonder: Affective Suspension and Medieval Queer Futurity; Chapter 3: (Non- )Belief in Things: Affect Theory and a New Literary Materialism; Chapter 4: Semblances of Affect in the Early English Novel: Narrating Intensity; Part II: Affective Transmissions, Romantic to Victorian; Chapter 5: Reading and the Sociality of Disappointing Affects in Jane Austen; Chapter 6: Shame and Its Affects: The Form-Content Implosion of Shelley's The Cenci; Chapter 7: Bodily Sympathy, Affect, and Victorian Sensation Fiction; Chapter 8: Feeling Other(s): Dracula and the Ethics of Unmanageable Affect; Part III: Modernist Contingencies: Engaging the Ineffable; Chapter 9: Glad Animals: Speed, Affect, and Modern Literature; Chapter 10: Senses Without Names: Affective Becomings in William Faulkner and Carson McCullers; Part IV: Bodies Write Back: Attending to Affect in Contemporary Writing; Chapter 11: Invisible Memories: Black Feminist Literature and Its Affective Flights; Chapter 12: On Good Listening, Postcritique, and Ta-Nehisi Coates' Affective Testimony; Chapter 13: Feeling Nature, Reconsidered: Ecocriticism, Affect, and the Case of H Is for Hawk; References; Index.
Holdings
Item type Current library Collection Class number Copy number Status Date due Barcode Item reservations
E-Book Main Library Online Electronic Resource 809.93353/AFF (Browse shelf(Opens below)) 1 Online 121857-2001
Total reservations: 0

Intro; Acknowledgments; Contents; Notes on Contributors; Chapter 1: Introduction: A Feel for the Text; Part I: Feeling Early Modern; Chapter 2: The Body in Wonder: Affective Suspension and Medieval Queer Futurity; Chapter 3: (Non- )Belief in Things: Affect Theory and a New Literary Materialism; Chapter 4: Semblances of Affect in the Early English Novel: Narrating Intensity; Part II: Affective Transmissions, Romantic to Victorian; Chapter 5: Reading and the Sociality of Disappointing Affects in Jane Austen; Chapter 6: Shame and Its Affects: The Form-Content Implosion of Shelley's The Cenci; Chapter 7: Bodily Sympathy, Affect, and Victorian Sensation Fiction; Chapter 8: Feeling Other(s): Dracula and the Ethics of Unmanageable Affect; Part III: Modernist Contingencies: Engaging the Ineffable; Chapter 9: Glad Animals: Speed, Affect, and Modern Literature; Chapter 10: Senses Without Names: Affective Becomings in William Faulkner and Carson McCullers; Part IV: Bodies Write Back: Attending to Affect in Contemporary Writing; Chapter 11: Invisible Memories: Black Feminist Literature and Its Affective Flights; Chapter 12: On Good Listening, Postcritique, and Ta-Nehisi Coates' Affective Testimony; Chapter 13: Feeling Nature, Reconsidered: Ecocriticism, Affect, and the Case of H Is for Hawk; References; Index.